Turkey cinema

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1. New cinema in England In England, the habitually excessive Ken Russell made a name for himself as a purveyor of over-the-top spectacle. Among his works are his adaptation of D. H. Lawrence’s Women in Love in 1969; his sensationalized biography of Tchaikovsky, The Music Lovers (1970); Tommy (1975), based on the Who’s rock opera of the same name; an […]...
2. Cinema Cinematography is one ofjhe wOTidersofthemodern workj Its possibilities are really unlimited, it gives pleasure to millions of people. Now it is a very popular kind of arfwhich has celebrated its 100th anniversary. There are cinemas in cities and towns. For most of people cinema is the means of entertainment and rest. You know thattife is […]...
3. The cinema in Latin America Brazil’s Bruno Barreto created the raucous comedy Dona Flor e Seus Dois Maridos (Dona Flor and Her Two Husbands) in 1976, while Carlos Diegues scored with the colorful Bye Bye Brasil (Bye Bye Brazil, 1979), an examination of circus life in the Amazon, as a rag-tag troupe competes with the encroaching influence of television. Hector […]...
4. The Australian renaissance Australia, where some of the earliest feature films had been produced, had long fallen into a creative slump. But in the 1970s, a combination of favorable tax breaks and government incentives allowed a new generation of “down under” filmmakers to break through to international prominence. Bruce Beresford’s The Adventures of Barry McKenzie (1972) was an […]...
5. New cinema in France The French cinema kept expanding on both the commercial and personal horizons, as former New Wave directors pursued their own objectives. Meanwhile, a new wave of highly commercial filmmakers, who championed what became known as “cinema du look,” made more accessible, mainstream films, with a highly polished sheen of technical execution. One of the key […]...
6. New cinema in Italy In Italy, the Neorealist school had long since evaporated. Vittorio De Sica acted in and/or directed a long series of conventional romantic comedies simply to keep working, although he did complete one final masterpiece, Il Giardino dei Finzi-Contini (The Garden of the Finzi-Continis), in 1971. However, Roberto Rossellini, ever adaptable, reinvented himself completely with a […]...
7. Italian cinema in the 1960s In Italy, Federico Fellini made his first color film, the beautiful Giulietta degli spiriti (Juliet of the Spirits, 1965), again starring his wife, Giulietta Masina, this time as a woman who is alone and unloved in her marriage while her husband is off having an affair. Juliet of the Spirits is deeply sympathetic to the […]...
8. Renoir For his part, Jean Renoir continued his work as one of the foremost humanists of the cinema. His third and final period as a director begins with Le Fleuve (The River, 1951), an independently produced film based on Rumer Godden’s novel and shot entirely in Calcutta. This relaxed and contemplative coming-of-age story, beautifully photographed in […]...
9. Iran’s revolutionary cinema The Iranian cinema went through a true renaissance as a result of the Islamic revolution in 1979 that brought Ayatollah Khomeini into power. Under the previous regime of Mohammed Reza Shah Pahlavi, which lasted from 1941 to 1979, films were mostly a commercial affair. With the revolution, however, filmmaking came to a halt until 1983, […]...
10. Wim Wenders Wim Wenders’s early films include the allegorical murder drama Die Angst des Tormanns beim Elfmeter (The Goalie’s Anxiety at the Penalty Kick, 1972) and the equally cerebral Alice in den Städten (Alice in the Cities, 1974), about an epic case of writer’s block. He later collaborated with Nicholas Ray on Lightning Over Water (1980) before […]...
11. Кино в моей жизни – Cinema in my life I am keen on movies, that is why I am interested in everything that is connected with it. First some words about history of cinematography. In 1895 the Lumieres brothers made their first three minute film which was demonstrated to the public. It was almost a century ago. Nowadays cinema is probably the most popular […]...
12. Ingmar Bergman Sweden’s Ingmar Bergman continued his exploration of the depths of the human psyche in a stunning series of films that included Såsom i en spegel (Through a Glass Darkly, 1961), Nattvardsgästerna (Winter Light, 1962), and Tystnaden (The Silence, 1963), a trilogy that interrogates the meaning of human existence in a hostile and uncomprehending world. Bergman […]...
13. Cinema. Кіно Кіно було винайдено двома братами Люм’єр. Вони створили перший фільм, що тривав тільки одну хвилину. З тих пір кіно стало одним із найпопулярніших мистецтв у світі. Усюди є кінотеатри. Фільми бувають художніми і документальними, звуковими і німими. Художні фільми, як правило, звукові і кольорові. Мультфільми також дуже популярні не тільки серед дітей, але і серед […]...
14. Ответы на аглийском по теме: cinema 1. Do you like the cinema? Yes, I do. I am fond of cinema, because it’s one of the ways of entertainment. 2. Which films, feature or documentaries do you prefer? I like both. Feature films are made especially to entertain the public and documentaries are based on real facts and usually show the true […]...
15. The Lumière brothers Four frames from the Lumière brothers’ brief comedy L’Arroseur arrosé (Tables Turned on the Gardener, 1895). The brothers Louis and Auguste Lumière are generally credited with making the first commercial breakthrough in combining the photographic and projection device into one machine in early 1895. Their camera/projector, the Cinematographe, was patented on 13 February 1895, and […]...
16. Твір з англіської at the Cinema. У кіно Мені подобається ходити в кіно. Як тільки в мене з’являється вільний час, я завжди йду дивитися новий фільм. Коли я хочу піти в кіно, я звичайно переглядаю в програмі, які зараз ідуть фільми. Потім я телефоную моєму другові, і ми обговорюємо, який фільм дивитися. Ми віддаємо перевагу художнім фільмам, але одержуємо задоволення і від мультфільмів […]...
17. Soviet wartime cinema In Japan, war-themed films began appearing as early as 1938. One of the first such films was Tomotaka Tasaka’s Gonin no Sekkohei (Five Scouts, 1938), which, despite its support of the Japanese war effort, seemed devoid of the blatant propaganda found in both Nazi and American war films of the period. Indeed, wartime propaganda “documentaries,” […]...
18. French occupation cinema In France during the war, with Paris under the Nazi occupation and the puppet Vichy government, only a few major filmmakers chose to stay behind and create a series of very subtly subversive films; otherwise, much of the Vichy cinema was sheer escapism. Marcel Carné’s Les Enfants du paradis (Children of Paradise, 1945), from a […]...
19. The Cinema In Britain In England the cinema is usually called “the pictures”. The American name “the movies” is sometimes used. The first performance or “showing” as it is called, begins about two o’clock in the afternoon and the show goes on from then until about half past ten. You can go in at any time and leave at […]...
20. African voices In Egypt, Youssef Chahine continued as one of the country’s most important directors, with al-Asfour (The Sparrow, 1972), Awdat al ibn al dal (The Return of the Prodigal Son, 1976), Hadduta misrija (An Egyptian Story, 1982), al-Massir (Destiny, 1997), and other works. One of the most mysterious and experimental films of the Egyptian cinema in […]...
21. Germany and the Nazi Cinema In Germany, the shift to sound was more sinister, with the indigenous film industries rapidly pressed into service of the Nazi regime. Joseph Goebbels created the Reichsfilmkammer (Reich Film Chamber) in 1933 and thus made himself the sole authority on what could and could not be shown on the screen. The following year saw the […]...
22. Silent movie masters Despite the fact that the studio system often stifled individual creativity, a number of gifted filmmakers managed to strike a balance between art and commerce and adapted to the studio system, making personal films that were also commercially successful. Allan Dwan, Rupert Julian, Henry King, and Fred Niblo all made expert genre films ranging from […]...
23. Latin America and Cinema Novo Mexican cinema in the 1960s was in a period of artistic and commercial decline, unusual for such an otherwise rampantly productive decade throughout the rest of the world. Luis Buñuel continued his string of highly idiosyncratic films with the political satire La Fièvre monte à El Pao (Republic of Sin, 1959) and the disturbing La […]...
24. My Favourite Cinema. Мій улюблений актор кіно Я люблю ходити в кіно. Недалеко від мого будинку є кінотеатр. Звичайно я ходжу в кіно з моїми друзями по неділях. Ми не любимо відвідувати вечірні сеанси і звичайно купуємо квитки на ранкові чи денні сеанси. Я волію дивитися американські, англійські та інші іноземні фільми, але я також люблю і наші фільми. Мій улюблений актор […]...
25. Daniel Defoe DD was the founder of the realistic novel. He was also a brilliant journa-list and in many ways the father of modern English periodicals. He founded and paved the way for many magazines ( “The Revue”, “The Spectator”). DD was born in London, his father a butcher, was wealthy enough to give his sone a […]...
26. The old masters The 1960s also saw the final films of many of the classical Hollywood directors who had worked in the industry since its infancy. Alfred Hitchcock’s last films were among his best, including the European-influenced horror picture The Birds (1963), in which large groups of birds attack a small California town without explanation, and Marnie (1964), […]...
27. Hitchcock in Hollywood Meanwhile, Alfred Hitchcock continued his string of suspense classics in England with The 39 Steps (1935), Secret Agent (1936), Sabotage (1936), and The Lady Vanishes (1938) before accepting an offer from producer David O. Selznick to come to Hollywood and direct Rebecca (1940), based on Daphne du Maurier’s novel. The film was an immediate box […]...
28. Yugoslavia and Hungary Other Soviet Bloc countries have also had an uneasy time creating new work in an atmosphere of political turmoil, but the Yugoslavian filmmaker Emir Kusturica created a sensation with Otac na sluzbenom putu (When Father Was Away on Business, 1985), in which a man is arrested for a chance political remark and thrown into prison; […]...
29. The new American cinema Another important school of noncommercial filmmaking was the New American Cinema, a loosely knit group of artists who made experimental or underground movies in 16 mm on nonexistent budgets. These movies nevertheless profoundly influenced the language of cinema, in everything from MTV videos in the 1980s to television commercials, as well as the editorial and […]...
30. Frank Capra’s Small-Town America Frank Capra followed up the success of 1934’s It Happened One Night with a string of sentimental films about small-town American values, which the director himself dubbed “Capra corn.” Lost Horizon (1937), an atypical trip to exotica for the director, was a critical and financial disappointment, but in such films as You Can’t Take It […]...
31. American Mavericks On a more commercial front, the boundaries were also being tested. Russ Meyer’s Vixen! (1968) pushed soft-core pornography to new extremes, while Roger Corman, who began the decade with a series of inventive horror films loosely based on the works of Edgar Allan Poe, such as The Pit and the Pendulum (1961), ended the decade […]...
32. Dorothyarzner In an industry that was deeply influenced by a group of women artists from the 1890s onward, only one woman survived the conglomeration of the industry in the late 1920s to direct during the sound era: Dorothy Arzner. Before Arzner, many women had been active as directors in early Hollywood, but nearly all had been […]...
33. Problems with early sound Technological advances during this period were numerous. The first microphones for recording sound were clumsy and bulky and produced poor sound quality. Technicians insisted that the performers stand next to the microphones for optimal sound quality; this meant that both the camera and the actors stopped moving, resulting in static films that fans and critics […]...
34. COMPOSITION GOING ТО THE CINEMA ВІДВІДУВАННЯ КІНОТЕАТРУ В АНГЛІЇ. Коли англійці йдуть у кіно, вони це роблять не гак, як ми. По-перше, вони не купують квитки заздалегідь. Якщо вони бажають подивитися фільм, вони йдуть до кінотеатру й купують квитки в касі кінотеатру. Придбати квитки неважко, тому що все більше людей воліє залишатися вдома та дивитися телевізор. Інша відмінність полягає в […]...
35. Cinema in Ukraine Перші кіножурнали були зроблені і показані в 1896-му А. Федетським, художником і фотографом з Харкова. Їх постійне виробництво розпочалося в 1907 році. Студія мультиплікаційних фільмів з’явилася в Харкові в 1927-му і пізніше була перенесена до Києва. Під час II світової війни українські режисери здійснювали поїздки на фронт. Вони показували військові фільми про героїчний захист країни. […]...
36. Luis Buñuel Luis Buñuel remained a man without a country, continuing to make films for himself alone and seemingly trying to offend even his most ardent patrons. Buñuel’s vision of man and society is, in many ways, even more nihilistic than Bergman’s; after directing the brutal Los Olvidados (The Young and the Damned) in the slums of […]...
37. The Famous Boxer Cassius Clay was born in Louisville. Kentucky in 1941. He first became famous in 1960 when won a gold medal at the Olympic Games in Rome. He became a professional boxer in the same year. In 1964, the world was astonished when Cassius Clay beat Sonny Liston and became the World Heavy Weight Champion. He […]...
38. Cinema in Our Life кіно в нашому житті Кіно дійсно є мистецтвом нашого часу. Сьогодні це найбільша естетична й освітня сила у світі. Відкриття фотографії в 1828 році відіграло величезну роль у розвитку кіно. 1895- й став роком, коли з’явилося кіно. Після винаходу кінематографа братами Люм’єр кіно значно поширилося в усьому світі. Перші кінотеатри з’явилися в 1904 році. А в 1907 році для […]...
39. Werner Herzog Werner Herzog directed his first short film, Herakles, using a stolen camera in 1962, when he was a freshman at the University of Munich. His first feature film, Lebenszeichen (Signs of Life, 1968), deals with the loneliness and isolation of three German soldiers who must guard an old bunker on a remote Greek island, while […]...
40. Showmanship, scandal, and spectacle The era also saw the rise of the movie palace, as marble nickelodeons became splendid pleasure domes dedicated to public entertainment, such as Radio City Music Hall in New York and the Roxy in Los Angeles. Paramount began an aggressive policy of theater ownership to make sure that their films would find an appreciative audience, […]...